Why You Don't Need to See 'The Odyssey' in IMAX 70mm (2026)

The Odyssey in IMAX 70mm: A Matter of Perspective

Odie Henderson, the Boston Globe's film critic, takes a stand against the hype surrounding Christopher Nolan's The Odyssey, arguing that the IMAX 70mm format is overrated and often a marketing ploy. Henderson, a self-proclaimed old-school critic, prefers the traditional theater experience and the allure of film prints, but he's not a purist. He acknowledges that while IMAX 70mm screenings can be spectacular, they're not always necessary or worth the extra effort and cost.

The critic's main point is that the 'as the director intended' clause is often misused. Nolan may have shot The Odyssey in IMAX 70mm, but that doesn't mean it's the only way to enjoy the film. Henderson's personal preference is to see movies in a theater, but he's not against cable or digital screenings. He argues that the format should enhance the movie, not be the main attraction.

The article delves into the history of special screening formats, from CinemaScope to VistaVision and 3-D. These formats were born out of innovation and the desire to create a unique cinematic experience. However, they often came with a price tag and were not always accessible to the general public. Henderson highlights the roadshow editions of movies, where viewers had to pay extra and travel to see the film in a special format.

The critic's main takeaway is that while IMAX 70mm screenings can be impressive, they're not mandatory. Henderson encourages readers to make their own choices and not feel pressured by marketing tactics. He believes that the movie itself should be the focus, not the format. This perspective is particularly relevant in today's film industry, where IMAX and other special screenings are often used to generate buzz and attract audiences.

In conclusion, Odie Henderson's article is a thought-provoking piece that challenges the notion that IMAX 70mm is the only way to experience a film. It invites readers to consider the role of format in cinema and the importance of personal preference in movie-going experiences.

Why You Don't Need to See 'The Odyssey' in IMAX 70mm (2026)
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