In the realm of extreme metal, where each new release vies for the attention of an already saturated audience, Februus emerges as a unique and enigmatic force. Their latest offering, 'Construction of Conflict', is a testament to the band's ability to blend the esoteric with the raw, creating an experience that is both bewildering and captivating. Named after the Etruscan god of the underworld, Februus embodies the cavernous and terrifying essence of its namesake, pushing the boundaries of what death metal can be. This review delves into the intricacies of 'Construction of Conflict', exploring its strengths, weaknesses, and the broader implications it holds for the genre.
A Solo Effort with Impressive Production
Februus, a one-man Swedish project, showcases an impressive level of craftsmanship in 'Construction of Conflict'. The album is a testament to the artist's skill, with nearly every element, from the guitar riffs to the drum programming, meticulously crafted. The production value is exceptional, with the guitar tone consistently impressive and the drums seamlessly integrated into the overall sonic signature. However, the use of programming for drumming raises questions about the band's future direction, particularly in terms of live performances.
Dense Instrumentation and Challenging Vocals
The album's dense instrumentation and challenging vocals are its defining features. Andreas Karlsson, the sole member of Februus, delivers indecipherable vocals that add an arcane element reminiscent of Blood Incantation. The guitar work is particularly noteworthy, with pirouetting riffs and odd-timing that defy logic and yet are simultaneously wonderful mood music. The composition of 'Construction of Conflict' is divisive, with its dense instrumentation and challenging vocals demanding the listener's undivided attention. It is easy to get lost in the haunting tones and thick atmosphere, lulling the listener into a death metal trance.
Too Many Ideas, Too Little Cohesion
One of the album's biggest issues is the sheer number of ideas crammed into each track. While the production and guitar tone maintain consistency, the lack of throughline riffs makes it difficult for listeners to grasp the overall structure. The album feels surprisingly samey at times, with Karlsson's vocals serving to further blend the tracks into a soup of carnage. The album's devotion to density leaves it feeling like a collection of ideas rather than a cohesive whole, and the absence of earworms makes it a challenging listen.
A Solo Effort with Impressive Production
Despite its flaws, 'Construction of Conflict' is an impressive solo effort. The album's production value is exceptional, and the guitar work is consistently impressive. However, the album's lack of cohesion and the use of programming for drumming raise questions about the band's future direction. The album is a testament to the artist's skill, but it may not appeal to a broad audience, particularly those who prefer more accessible and cohesive death metal.
Conclusion: An Alien Land of Obtuse, Monolithic, and Devious Structures
In conclusion, 'Construction of Conflict' is a fascinating and challenging listen, offering a glimpse into the obtuse, monolithic, and devious structures that Februus draws inspiration from. The album is a testament to the band's ability to push the boundaries of death metal, but it may not be for everyone. For those who are willing to immerse themselves in the alien land that Februus has created, the album can be frequently astounding. The band's next release should focus on creating more accessible and cohesive music, while still maintaining the raw and esoteric elements that make them unique.
